Eyebeam, based in New York City, is the leading art and technology center in the USA. Eyebeam provides a fertile context and state-of-the-art tools for digital research and experimentation. It is a lively incubator of creativity and thought, where resident artists and technologists actively engage with culture in addressing the issues and concerns of our time.
Eyebeam challenges convention, celebrates the hack, educates the next generation, encourages collaboration, freely offers its contributions to the community, and invites the public to share in a spirit of openness: open source, open content, open distribution.
Posted on Wednesday, 24 November
(via tahero)
Posted on Tuesday, 23 November
Lyte, What You Stoppin’ For?
Yo I Wanna Take The Subway.
The Subway?
I Just Got This Feeling, I Wanna Take The Subway
You Got This Bad Jetta Sitting Here And You Wanna Take The Subway?
Posted on Tuesday, 23 November
Hip-Hop Tourette’s is a learned neuropsychiatric disorder with onset in adulthood, characterized by multiple physical and vocal tics. After significant years spent listening to Rap music these tics often times include coprolalia involving rap lyric references in response to conversation and changes in environment. Hip-Hop Tourette’s re-contexualizes New York City with Rap lyrics.
Hip-Hop Tourette’s is a research project in the field of contemporary psychogeography, the investigation of everyday urban life through emerging artistic, technological and social practice.
Posted on Monday, 22 November
Albert Camus (via tahero)
Posted on Monday, 22 November
One of the things that I find most interesting and useful about free software is how the tool gets developed as part of the process of making the result. I was just working on the sound design for the video Undervine, which is a visualization of data about the wine industry. I’ve worked on a couple other data vis projects, and some sound design for video in different contexts. I used Pure Data for these projects because I’m deeply involved in it. So out of these projects, I’ve started developing a library to make it really easy to sync up sounds with video, then make it easy to skip around and compose while keeping everything easy and in sync.
This library is starting to take shape, and I’ve started to document it, not only for others, but also to remind myself how to use the things inside. If you are interested, check it out: framesync
Posted on Sunday, 21 November
As I was working away on the sound for Undervine, I was struck at this particular moment at how synthetic the result looks as compared to something like a song.
Posted on Sunday, 21 November
Now that Undervine, the data vis/sonification project I have been working on, is done and up on the wall at SFMOMA, I want to show a few clips of things that didn’t make the final cut. Starting with this clip about global wine production. We were trying to show how global wine production peaked in the 70s and then stayed about the same. Meanwhile, the portion of wine production everywhere that was exported anywhere increased quite a bit. The sound here was used to highlight the record years in wine production, which is represented visually by the grey backing circle (graphics by Bobby Pietrusko and Stewart Smith).